Monday, 10 November 2008
How Capote follows Aristotle
Capote takes his reader through the trial and into the time when execution is awaited. In the TV court room drama the focus is on the verdict, with sub plots, often of loose connection, slotted in to keep attention. Capote sticks closely to Aristotle’s rule that the focus must always be on the Action/idea. We are told about the characters, but all the time the focus is utterly clear. It is a density of writing that perhaps Salman Rushdie used in Midnight Children. It offers the reader a much deeper but also more rounded experience. It knocks on the head the desire on the part of the writer to engage in flights of fancy as the plot wonders hither and thither. Be utterly clear what the point is and stick to it.
A great book
A great book
Phil Hamlyn Williams's current project is a book entitled Charlotte Bronte's First Devotee about the man who discovered and mentored her.
His previous book, Ordnance, tells the story of how the British Army was equipped for the Great War. It was published by The History Press in June 2018. His first book, War on Wheels, telling the story of the thousands of ordinary men and women who together worked to mechanise the British Army in WW2 was published by The History Press on 8 September 2016. He wrote the story of the MacRobert's Reply collaborating with Story Terrace, published in December 2016. He writes regularly on contemporary issues for a number of periodicals and his own blogs. He is chair of trustees at The Lincoln Arts Trust which runs the Lincoln Drill Hall arts venue. He also chairs The Lincoln Book Festival. He works with others on CompassionateLincoln.
He was awarded an MA in Professional Writing at University College Falmouth in 2009. As a result of the this course, he wrote a novel, Broken Bonds, on human dimension of the Banking Crisis. He has been writing for fifteen years, having spent much of his career in professional services and the not for profit sector.